Catholic Institute of Sacred Music 

 

Master of Sacred Music (MSM)*

Post-Baccalaureate Certificate in Gregorian Chant*

Post-Baccalaureate Certificate in Sacred Choral Music*

Graduate Coursework for Non-Degree-Seeking Students

*Pending approval from WSCUC

For more information or to apply, please visit the Institute’s website.

Summer 2026 Courses

History & Principles of Sacred Music - June 29 to July 3, 2026

Through a survey of the history of sacred music and reading of Church and papal legislation on sacred music, students gain an understanding of the principles which shape Western sacred music and the musical structure of the Roman rite. Special focus is placed on current documents which govern music in the Church. The course also features in-depth discussion of practical issues including active participation, progressive solemnity, the use of instruments in the sacred liturgy, inculturation and other pastoral needs, resources available for music directors and choristers, and other relevant topics. 2 credits or audit, limited to 20 students. 8:30-11:00 a.m. and 1:15-3:00 p.m. 3:00-5:00 p.m. exam period on Friday. Taught by Dr. Jennifer Donelson-Nowicka.

Advanced Seminar in Gregorian Chant - June 29 to July 3, 2026

Course description forthcoming. 1 credit or audit, limited to 20 students. 8:30 a.m. to 12:00 p.m. Taught by Dr. Edward Schaefer.

Advanced Seminar in Gregorian Chant - June 29 to July 3, 2026

Course description forthcoming. 1 credit or audit, limited to 20 students. 1:15 to 4:45 p.m. Taught by Dr. Rosemary Heredos.

Teaching Gregorian Chant to Children - July 6 to 10, 2026
This course presents pedagogical techniques for teaching Gregorian chant to children and is ideal for Catholic schoolteachers, directors and teachers of religious education, directors of children’s choirs, and parents. Through structured study, drills, and teaching demonstrations, students are trained to teach the first level of the Ward Method, a comprehensive music education method. Other topics addressed will include adaptation of the Ward method to realistic pastoral contexts, curricularizing Gregorian chant and other sacred music repertory according to Ward method activities, integrating the Ward method into a children’s choir program, resources for teachers, other teaching approaches, and the logistics of structuring, developing, and advocating for a sacred music program for children. 2 credits or audit, limited to 12 students. 8:30-11:00 a.m. and 1:15-4:45 p.m. 2:00 to 6:00 p.m. exam period on Friday. Taught by Dr. Jennifer Donelson-Nowicka.
Liturgical Theology - July 6 to 10, 2026

Serving as an entry point to academic study of the sacred liturgy, this course uses methods of theological inquiry to develop insight into the nature and meaning of the rich liturgical tradition of the Roman rite. In the manner of the theological maxim lex orandi, lex credendi (“that the law of prayer establishes the law of belief”), this course explores the connection between the Catholic faith and her liturgical rites throughout history. With a particular emphasis on the writings of the Liturgical Movement and magisterial documents, themes studied in the class include: Logos, symbol, sacrament, Scripture, sacred time, sacred place, the altar, images, gestures, participation, and inculturation. 2 credits or audit, limited to 20 students. 8:30-11:00 a.m. and 1:30-3:00 p.m. 3:00-5:00 p.m. exam period on Friday. Taught by Fr. Nicholas Schneider.

Introduction to Gregorian Chant - July 13 to 17, 2026

Serving as an introduction to Gregorian chant, this course will cover neumatic notation, Gregorian modes, ear training and sight reading, vocal technique appropriate for singing chant, and Latin pronunciation. Special focus will be placed on rhythmic interpretation of the chant according to the classical Solesmes (Mocquereau) method. By the end of the class, students will have confidence singing from the Graduale Romanum, solfège, and psalm tones, and some experience in conducting (chironomy). Additional topics introduced in the class include the history of Gregorian chant, rehearsal techniques for teaching chant to children and adult choirs, and an introduction to chant resources in English and Spanish. 2 credits or audit, limited to 20 students. 8:30-11:00 a.m. and 1:15-4:45 p.m. Taught by Dr. Jennifer Donelson-Nowicka.

Organ Accompaniment of Chant - July 13 to 17, 2026

Beginning from a discussion of chant modality at the keyboard, students will learn to harmonize chant melodies through building good bass lines and developing good voicing in interior voices. Through experience in playing written accompaniments in exemplary international schools, students will learn to understand and imitate the harmonic and rhythmic nuances of excellent models by masters of the art of Gregorian accompaniment. Registration, texture, and the accommodation of various rhythmic approaches will also be addressed. 1 credit or audit, limited to 6 students. 8:30–12:00 group instruction, plus 30-minute private lesson twice. Taught by Prof. Christopher Berry.

Choral Institute - July 20 to 24, 2026

Spend a week singing masterpieces from the Church’s choral repertory with a chamber choir of excellent singers, directed by a master conductor. In between rehearsals, instructional sessions will develop students’ abilities to direct a great choral rehearsal as students explore various methods of teaching new music, group vocal pedagogy, and techniques for addressing common problems encountered in developing an excellent choral sound. Special attention will be paid to teaching rehearsal techniques capable of evoking the most beautiful result within a liturgically demanding schedule. Gems of the choral repertoire which buttress the musical shape of the Roman rite and can be taken home for use with parish choirs will be covered in discussion and rehearsal. 1 credit or audit, limited to 40 students. 8:30 a.m.-12:00 p.m. and 1:15-8:00 p.m. Taught by Prof. Christopher Berry and Dr. Jennifer Donelson-Nowicka.

Composition Seminar - July 20 to 24, 2026

For composition students with formal training, this intensive seminar in music composition is focused on the development of facility with species counterpoint. Class exercises and daily assignments will be accompanied by the opportunity to workshop polyphonic works students have written for parish choirs in light of intensive counterpoint study. Time will also be devoted to an exploration of the aesthetic characteristics of music suitable for liturgical use, form and tonal harmony (as needed), and compositional techniques which facilitate the singing of works by parish choirs. Two private lessons and one group composition workshop are included. A portfolio of 3 pieces must be submitted in the application process. 1 credit, limited to 5 students. 2 30-minute privatelessons in the mornings and 1:15-4:00 p.m. group instruction. Taught by Dr. Frank La Rocca.

Organ Improvisation - July 20 to 24, 2026

Ideal for organists with a solid technical foundation but who have limited training in extemporaneous playing, this seminar will enable students to develop an approach to improvisation at the organ that is built on strong harmonic progressions and good form, utilizing the various melodies of sacred music. Students will grow in their abilities to harmonize melodies, create textures and musical ideas which contribute to thematic and structural development, and pace their playing according to the timing of the liturgy. Group instruction forms the basis of the course, and one-on-one lessons will be included. 1 credit, limited to 6 students. 1:15-4:00 group instruction, assigned liturgies to play, and 2 30-minute privatelessons in the mornings. Instructor TBA.

Choral Preparation: Choral Conducting, Rehearsal Techniques, and Group Vocal Pedagogy - July 27 to 31, 2026

Through rigorous practice of choral conducting fundamentals such as meter patterns, preparatory and cutoff gestures, changes in tempo and dynamics, and expressive gestures applicable to the sacred polyphonic repertory, students will develop the foundations of a directing technique which is clear, confident, and effective. Students will also work to enrich their gestures through training in Laban movements. Putting these gestures into practice in well-known pieces in the choral canon, course participants will discuss the effect of gestures on singers’ vocal technique and the overall choral sound, and learn helpful basic warm-ups and rehearsal techniques to promote healthy technique, development in musicianship, and expressive singing. Different processes for score preparation will be presented and practiced, as will different exercises to promote the conductor’s accurate and sensitive audiation of the score. 2 credits or audit, limited to 20 students. 8:30-11:00 a.m. and 1:15-4:45 p.m. 2:30 to 5:00 p.m. exam period on Friday. Taught by Prof. Christopher Berry.

Advanced Seminar in Gregorian Chant - July 27 to 31, 2026

Course description forthcoming. 1 credit or audit, limited to 20 students. 8:30 a.m. to 12:00 p.m. Taught by Dr. Alison Altstatt.

Advanced Seminar in Gregorian Chant: Cantare super librum - July 27 to 31, 2026

Course description forthcoming. 1 credit or audit, limited to 20 students. 1:00 to 4:30 p.m. Taught by Dr. Charles Weaver.

Courses Currently Offered – Seminarians

  • PY-109: The Role of Beauty in the Spiritual and Intellectual Life (Propaedeutic Year Seminarians)
  • PH-114: Humanities I: Arts and Ideas: Catholic Approaches to Beauty in Music, Architecture, and Art (Discipleship I Seminarians)
  • SM-4100: The History and Principles of Sacred Music (Configuration II Seminarians)

Courses Currently Offered – Catholic Institute of Sacred Music

  • Choral Institute
  • Advanced Seminar in Gregorian Chant: Conducting (Chironomy)
  • Introduction to Gregorian Chant
  • Teaching Gregorian Chant to Children
  • History and Principles of Sacred Music
  • Parish Sacred Music Program Management

Courses Previously Offered – St. Joseph’s Seminary

  • History and Principles of Sacred Music
  • Parish Sacred Music Program Management
  • Principles of Chant
  • Teaching Gregorian Chant to Children
  • Choral Repertoire and Practicum

Introduction to Music Reading, Music Theory, and Ear Training for Parish Musicians

Are you a church musician who would like to gain independence in reading and singing or playing music in your parish’s music program? Would you like to gain confidence in your ability to read music so that you can learn new music, and learn it more quickly? Are you looking for a program to help you perform with accuracy and musicality in your work in music ministry?

Starting from an introduction to reading both modern and neumatic (square note) music notation, this course will introduce participants to music theory concepts that will aid them in reading, singing, and playing music in their parish music programs. Concepts covered will include major and minor scales, Gregorian modes, key signatures, intervals, rhythms and time signatures, triads, and seventh chords. Special emphasis will be given to ear training and musicianship exercises which embed theoretical concepts in practical musical examples. The only prerequisite to the course is the ability to match pitch when singing.

Beauty and the New Evangelization: Understanding and Employing Sacred Art, Architecture, and Music – co-taught with Prof. Emily Sottile

The Church is the greatest patron of the arts the world has ever known. That’s no accident! The beautiful has the potential to lead those who engage with it to the good and the true. Literacy in the languages of sacred art, architecture, and music are practical skills for evangelization. This course guides students in deepening their understanding and appreciation of beauty in the various media of sacred arts, and enables students to utilize the sacred arts for the purpose of evangelization.

State Persecution of the Church in Modernity: An Historical Study through the Lenses of Source Documents and Film – co-taught with Dr. Jacek Nowicki

Starting from a discussion of the tensions long held between the Church and the state, as well as the Church’s understanding of martyrdom, this course travels around the globe in the modern era in a chronological study of persecutions of the Church, Catholicism, and Catholics by the government. Class sessions will offer a narrative of the key events, personalities, political programs, and ideas behind particular persecutions, as well as a look at source documents (laws, manifestoes, propaganda) which make clear the crisis of conscience faced by faithful Catholics living under unjust regimes. Study materials for the course consist mainly of films, but also of some excerpts from literature and music, which illuminate the historical situation, sometimes revealing particular agendas through bias or historical inaccuracy.

John Paul II, Benedict XVI, and the History of the Church in Europe in the 20th Century: Biographies, Writings, Source Documents, and Films – co-taught with Dr. Jacek Nowicki

Beginning from the biographies and writings of St. John Paul II and Benedict XVI, this course will look at key moments in the twentieth century for the history of the Church in Europe. Through this course, students will gain an insight into the writings of John Paul II and Benedict XVI by understanding better their biographies and the historical forces which shaped their experience and roles in the Church. Students will also develop their understanding of the historical events which shaped the lives of Catholics throughout Europe and how these popes affected historical events. Students will read excerpts from the popes’ writings in class as well as other primary source materials. Study materials for the course consist of films which illuminate the historical situation, sometimes revealing particular agendas through bias or historical inaccuracy.

Courses Previously Offered – Nova Southeastern University

  • University Choral Ensemble
  • Music History I-II
  • Music Theory I
  • Ear Training I
  • Applied Piano I-IV
  • Class Piano I-II